INDIAN HEAD - DAY TWO
It had been a tough day, I’d just returned and it was time
to go to the toilet, of which there are three, mens and ladies plus a
unisex. As I walk past the ladies a
middle-aged man is talking to someone inside. Transpires it’s his very young
daughter and she’s crying; apparently she can’t get out as the lock is
malfunctioning. Unable to assist and it
looked like the matter was in hand, I moved to the gents and sat down.
The father was reiterating that he would get help or some
tools. His daughter cried on. Then he said he’d contact the manager, whose
name was Gary. He contacted him sooner
than he thought; Gary was in the middle toilet taking the situation in and his
clear voice indicated that he would soon organize assistance, just give him a
minute. Sitting down it all sounded like
a script from a backyard comedy.
Gary was a character; he stays on site for free as he looks
after any problem or notifies N.P.W.S. if it’s something he can’t handle. The park has no fixed sites, no power, just
toilets and cold showers. Earlier in the
day he’d enlightened me about the trail I was contemplating, the track to
Diamond Head. He was a veritable font of
knowledge and two things he kept reiterating were that it was very steep and,
it was wonderfully scenic.
He looked a tad doubtful when I said I wanted to use the
mountain bike, concerned about the steepness and the deteriorating state of the
track. Not to worry, I’ll give it a go.
The first part was easy, about half a kilometre up a
moderate hill till there’s an open space.
This is where the hang gliders take off when the wind is from the right
direction. It’s also an unrestricted
view south, down the seemingly endless beach all the way to unseen Crowdy Head
beyond the horizon, a seascape so vast as to beggar the imagination.
I move on, past the sign that explains Kylie Tennant’s
presence here in the naming of some things, such as the lookout. She was an author of the earlier 20th
century and loved the place, “League after league the headlands curve up the
coast of the continent. The white
fingers of the sea play on them, each bluff giving out its unique note, making
its own music.”
Now the track becomes problematic; either side has dried
firm mud but there’s an eroded watercourse in the middle which makes cycling
virtually impossible. I dismount and
start to walk. There’s a sense of
anticipation now as I move closer to the heights and the cliffs on the other
side that confront the ocean.
Finally, I crest the bluff and it all looks promising as I
swing left and savour the onshore wind, admiring the tiny native wildflowers
that exist, if only barely, on the slopes and wondering what insects pollinate
them, because the bees and other winged creatures have long ago been blown away
by the persistent sea breezes.
I look down and there it is, the arch I’d noted yesterday
during research. Gary’s words come back
to haunt me. “It’s very steep”. Indeed, it is, it’s no place for a bike there
so I scramble on down on a trail where I would have loved my walking poles but,
of course, they’re not to hand, literally.
It’s step by slow step; this is grade 4/5 stuff, not for the
unfit or faint of heart. The further
down the more dramatic it becomes. It’s
one of the great seascapes of Australia.
A huge colourful cliff, a narrow bay awash with strange iridescent
yellow/green rocks and then the arch on the left hand side being constantly
tormented by the angry seas, at times so big they actually go over the top of
the arch. It’s mesmerizing. You don’t know where to look, it takes over
your brain, tormenting it with so many attractions in one spot. This is the “scenic” of which Gary spoke.
I also realise I’ve been here before. Before I was into photography, before I
became a keen bushwalker, before I became a cyclist, about six decades had
passed since I was last here.
Up or down, either is tough here and you won’t be making it
without stopping regularly. I spend
about 20 minutes at the base, mesmerised by the grandeur of it all and so
pleased I got to record it with favourable weather and seas, in one of their
grander moods. High cirrus and big seas make a lovely combination, one
suggesting calm and the other, mayhem.
Eventually I looked up and realised it was time to climb the
rough narrow unmade track to the top, and it takes time, pausing to breathe in
more oxygen than I was capable of while moving.
All the time the roar is taunting you from behind, trying to capture
your attention still.
At the summit a couple have come along and I get them to
take a picture of me, so few do I have.
They’re just about to head down so I pass on a few pointers before
heading off….slowly. There are bits of
track here and there that are rideable, and just as many not. Way below another group of rocks is defying
the watery onslaught, foam splashing all over as the wash rears up and
over. It’s a timeless scene, yet time is
the key.
I pull up at a bench seat where Gary sits to shoot the
whales with his new camera. He told me
he takes a large umbrella and tripod up here these days so he doesn’t have to
move much. Judging by his profile, I can
understand why. The occasional beer is
not unknown to him.
The next feature is a massive, semi-eroded pillar, only half
detached, its deep brown colour contrasting with the blues and greens all
around it. It evokes power and mystery;
it’s so unlike anything else here. What geological
event caused the situation?
Way down below, the lines of swells seem more organized than
before and there’s an attempt by some hardy grasses to grow, buffeted by the
natural elements as they are. They’ve
won over half the rock but other areas are denied to them. The stalemate continues.
I clamber down the slope on a trail even less distinct that
the previous one and it’s just as steep, just a few degrees off needing a rope. One slip could really ruin your day!
Beneath the grass covered rocky outcrop there’s another arch
in the making. The salt water has made
its way through a crevice and explodes every so often right through before
thrashing around on the land side.
There’s a sort of disjointed harmony to it all.
Gary told me about the man he bought the camera off. He goes down and lays on the grass for hours
waiting for that timeless shot of a seabird coming back with prey attached to
its claws. He’s got everything from
Brahminy kites to sea eagles. Years of
patience will do that for you.
I’m back on the “main” trail and climbing. This is the bit where I really don’t want my
bike. It’s narrow, badly rutted, hard to
get a foothold and you’re trying to manoeuvre a bike as well and it’s all
uphill. Easy going it’s not! I can’t even see the top of the ascent
because the trail rolls over near the summit.
The couple who took my photo have long since passed me and are well into
the descent somewhere on the far side.
There’s more cliffs and Diamond Head just visible on the
horizon but the route has moved away and now the vastness of the hinterland
becomes the main feature. Still, there’s
more slope to get up until, finally, I’ve made it.
I spoke with an American couple just before the summit and
they come from Washington State and we briefly exchanged notes as I said I’d
been to Multnomah Falls. He said the
trail was good on the other side, the descent to Diamond Head. I hoped he was right.
Transpires that he was and I’m ever so grateful because now,
at last, there’s some justification for the mountain bike. I get comfortable and swoop down the trail to
Diamond Head, quickly passing the old couple and, in no time at all, I reach
Diamond Head Caravan Park and I know it’s all road from here.
The only catch is I get more and more desperate to have a
comfort stop. Wind is pushing my belly
in all directions and now it’s painful just sitting on the seat. I’m forced to pull up and empty my stomach
and feel fortunate there’s soft leaves at hand.
The relief is palpable and I now make my way to the real toilet, which
is where the story came in.
Labels: beaches, bushwalking, cliffs, climbing, hang gliding, hiking, Indian Head, mountain biking, N.S.W. north coast, rambling, rock faces, seascape, surfing, Tasman Sea